Today’s author interview is with Bruce Dodson, author of Lost in Seattle, You Never Know, and various articles and short stories.
Bruce Louis Dodson is an expat living in Borlänge, Sweden with his wife, 2 dogs and a cat. He is a collagist, photographer and writer of fiction and poetry.
His work has appeared in: Barely South Review -Boundaries Issue, Blue Collar Review, Pulsar Poetry (UK), Foliate Oak, Breadline Press West Coast Anthology , Qarrtsiluni, Struggle Magazine, Pearl Literary Magazine, Contemporary Literature Review(IN), 3rd Wednesday, Sleeping Cat Books – Trip of a Lifetime Anthology, Chantarelle’s Notebook, Northern Liberties Review, Authors Abroad – Foreign & and Far Away Anthology, The Path, Page & Spine, The Crucible, Sleeping Cat Books -Trips of a Lifetime, Vine Leaves(AU), Pirene’s Fountain,Tic Toc Anthology – Kind of a Hurricane Press, Cordite Poetry Review, Buffalo Almanac, Litro Magazine, mgversion2>datura, Maintenant 11, Glassworks, Door Is A Jar, So It Goes-Kurt Vonnegut Museum, and Popshot.
1 Can you tell us a little about yourself?
I’m basically a poet, an expat living in Sweden for the last five years. I’m a five-star introvert who turned eighty this year, a fact I’m reluctant to admit. There’s a bias that talent recedes with age, and there may be grains of truth in that. Major publishers have little interest in authors my age. The good part of this is getting to a point of not caring, a certain sense of freedom, an expanded poetic license, an uncaring for rejections. Strangely enough, I have had more acceptance in these last years than ever before.
2 When and what made you decide you wanted to be a writer?
I always dabbled, the usual things, high school newspapers and such and High Times magazine. Five years of college removed time for creative writing. I was a design major. I remember submitting a horribly amateur fiction piece to Playboy magazine in the mid-fifties and was pleased to receive a nice printed rejection slip from the editors.
I did not take writing seriously until San Francisco in the sixties when my work began to be published in the S.F. Bay Guardian I met poet Charles Plymell in San Francisco during the sixties. He is probably the person most responsible for my efforts.
After college, I spent three years in the regular Army. Eighteen months were spent in Asmara, Eritrea. I don’t remember writing anything while in the service. There was too much going on. I fell in love with Africa and was hell-bent on experience, absorbing all I could of it. A gathering of tongue. Much of my work has connection to my travels.
After the Army, I was living in San Francisco in the Haight. This was the mid-1960s. I had just turned thirty and was writing some. I got lucky with a series about riding on the 7 Haight bus. It was picked up by the San Francisco Bay Area Guardian, a large, small newspaper at that time. The story ran for five weeks and drew a lot of attention. I wrote a few poems and began submitting to lit mags. Submitting was a stone drag in those days. Mailed submits with self-addressed stamped envelopes which were not always returned—tedious. Computers opened a door for me. Writing was faster with no need for white out, ribbons and paper. Submissions go so much faster now. There are still, “Did not responds,” but without the cost of time, envelopes and stamps.
I started writing more in the seventies, my first book in the mid-eighties.
3. Can you tell us something about the genre of your books and why you write in that genre?
I think my books could be called creative non-fiction, all but one which remains unfinished.
4. Where do you get your ideas from?
I have always loved to travel and did as much as I could, going as far as I could. I have never held a permanent job. I worked contracts that lasted from nine months to a bit over a year. The pay was good gave months of free time were wonderful. I’ve traveled to Brazil, Nepal, Thailand, Sri Lanka, Ethiopia, Lebanon Italy and much of Europe.
5. Are you working on a new book at the moment?
I’m working on two, new, old books that have been years in process. One is a Coming of Age theme, the other, my magnum opus, takes place in India, a thousand years ago. Sometimes I think I’ll never finish it—perhaps when I’m older.
I have recently re-written two 8,000 word stories I had filed with Amazon but withdrew and revised. You Never Know, is about a fortune teller in Brazil. Hope Takes a Holliday follows an energetic and clever old lady woman with Alzheimer’s who escapes a care facility. Both of these stories based on experience.
6. Which writers inspire you?
Cormac McCarthy for his absolute brilliance. Charles Bukowski for his ability to get your attention in a hurry. Somerset Maugham for the beauty of his prose.
7. What book are you reading at present?
I’ve been going through short stories in a stack of old Paris Reviews. Last book was Good Sweden Bad Sweden, by Paul Rapacioli — Very interesting, and relevant.